Ghost in the Shell
Buy Ghost in the Shell DVD at Amazon.
by glennjoseph1956 on déc.09, 2009, under Ghost in the Shell
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Buy Ghost in the Shell DVD at Amazon..
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I’ve read a few reviews comparing ‘Ghost in the Shell’ to ‘The Matrix’. Personally I don’t assume it’s an good comparison at all. Deem ‘Blade Runner’ here. It has the same kind of atmosphere that made BR such a cult movie and it deals with the same subject. Compared to most other animes out there, GITS may seem a microscopic insensible, but if you’re the kind who likes to have some brain activity when watching an anime, then you’ll probably like this. One other thing that caught my attention is that, like ‘Blade Runner’, it flows along like water. You could easily open watching it and salvage yourself loosing track of time. It is short tough, only 82 min. It’s a shame really, because with the enormous amount of sub-plots display in Masamune Shirow’s new work they could easily earn an anime with well over 2hrs. That aside, the animation is some of the best you will ever scrutinize. Kusanagi’s battle with the tank at the ruin comes to mind. Very sleek. The music is also very unique. It’s kinda of a putrid between ambient, electronica and modern age. It’s not for everyone be warned. Unlike normal music scores, Kenji Kawai’s catch does not bring the action to life, quite on the contrary. It’s always demonstrate very softly in the background to the point of you forgetting about it. It creates a sense of detachment, or contemplation that, in my thought, works gigantic for this kind of movie, however I can view why some people would disagree. All in all, this one is a good classic to be ranked along the side of Akira. Acquire it!
Image Quality: Very qualified for the most fraction. The anime’s gloomy atmosphere and plain colours transfer well to DVD. The blacks aren’t as qualified as I would hope and at some points the image quality is, for some reason, a tad worse (the intro shots for example), however times like these are few and far between. The whole image is very soft and I hoped the edges would be a miniature more animated. I’m not definite if this is because of the transfer or the movie itself because I haven’t seen ‘Ghost in the Shell’ in any other digital format and I certainly aren’t going to assume for reference the VHS edition *grin*. But don’t let what I said save you off, as for the most fragment you’ll be more than ecstatic at the image quality. For an example, when the optic shroud kicks in and you have the ‘rainbow’ attain (if you explore it you’ll know what I’m talking about) all the colours are very well defined and very crisp and you’ll catch yourself thinking how cold it looks. On another shot of Bateau inside his car more to the waste, you can scrutinize water drops on the side window… try doing that on VHS. Very nice.
Sound Quality: When I bought this DVD I wasn’t expecting anything special on the sound department. Boy, was I foul. The sound comes in two flavours: English 5.1 and Japanese 2.0 The stereo version is nothing to write home about. It’s adequate… objective. The only valid thing about it is that you glean to hear the Japanese jabber acting which is always nice, other than that (if you’ve got a 5.1 setup) impartial forget about it. The 5.1 version is where the sound really comes to life. It hasn’t got an intricate and complex soundstage like ‘Twister’ for example, but it obvious delivers the sound with a punch. Your subwoofer will cherish you every time you pop in this DVD. From the roaring explosions, machine gun fire or the deep drums on some parts of the musical rep, the bass is always deep and distinct. Music is all around you, coming from all channels most of the time, so this at least creates an piquant atmosphere, especially when the music is of the ambient type I’ve described. The surround channels are also nicely feeble. When shots are fired you come by a sort of ‘echo’ achieve going in the two surrounds. It might not be correct, but when those HV bullets originate flying around, you’ll be gay to have the factual setup. On the market wander scene, for example you pick up voices and sounds coming from the surrounds bringing the market to life. The surround channels are never aggressive nor overused, but I mediate this is the best you can inquire out an anime.
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Extras: Well, they’re better than most DVD I’ve seen. You collect a 25-30 min ‘Making of Ghost in the Shell’ which is narrated by the guy who does the deliver of Bateau in the English version (I hope I’m legal about this, it does sound a lot like him) . This won’t stutter you anything terribly unusual, but it does provide a dinky insight at some of the techniques traditional.
The DVD also has a sort of index that provide information on obvious aspects of the universe of ‘Ghost in the Shell’. Characters, machine execute, the various sections eager, etc… again, nothing terribly unique, but I can sight how it can shed some light in obvious areas to those who aren’t very familiarised with Shirow’s universe or the anime itself. The rest of the extras are unbiased ads for manga video, polygram, fan clubs, etc…
An existential action anime? That’s what Ghost In The Shell, a.k.a. Kokakukidotai (Shell Mobile Force) is, with animation sporting top-of-the-line computer imagery in the Bladerunner-like metropolis of Newport, but that’s secondary compared to the underlying smart theme.
Major Kusanagi Motoko is a skillfully trained cyborg assassin in Newport’s Portion 9, who’s taking out a diplomat illegally trying to give immunity to a listed programmer, demonstrates her training, including an wonderful moment when she dives off a building, picks off her target, and via a thermoptic mask (i.e. portable cloaking blueprint), vanishes from glance.
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She and the members of her team, consisting of the mostly human Togusa, Ichikawa, and Batou, a pudgy no-nonsense blond cyborg with electronic search for implants, are trying to track down the Puppet Master. The Puppet Master is a master hacker who hacks into people’s brains and uses them for his dirty work, presumably to carry out espionage or terrorism, leaving his puppets no memory of their infiltration. One of his puppets keeps using a public computer to try to infiltrate the brain of his wife, who is divorcing him and wants custody of their child. When he’s picked up, he is told by Piece 9 that his wife, child, and divorce are all counterfeit memories imprinted by the Puppet Master, causing further damage to the man when he is told the erroneous memories can’t be erased.
However, there are two conflicts going on. One is Kusanagi’s mission to hunt down the Puppet Master. The other and the one with a deeper meaning is the search for her identity within the contrivance of a whole, or rather, something beyond her individual self, highlighted by her words taken from the Book of Corinthians: “For now we through a glass, darkly.” This reflects an earlier statement when she says in observation of a victim of the Puppet Master, “all data that exists is both fantasy and reality. Whichever it is, the data a person collects in a lifetime is a exiguous bit compared to the whole.” A postmodernist flair is introduced when the Puppet Master says “While memories may as well be the same as fantasy, it is by these memories that mankind exists.”
The seek information from thus is, is it possible for the soul to exist in a highly technological world, where special operatives have cyborg shells, metabolic control systems, ESP, and cyber-brains?
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The search is also symbolized when she surfaces, and the challenging image of her rising up to meet her reflection, representing her moral self. She wonders if she has a ghost, an animating soul or spirit. In looking at the construction of her body in the opening credits, one sees that she’s heavily mechanized, with an outer layer of flesh surrounding her.
Her attempt at defining the self begins with a original face, thunder, childhood memories, feelings for the future, and the situation of mental processes producing a consciousness that is “me.” However, upon a discovery arresting the Puppet Master, she further worries that what if there wasn’t a genuine “me,” that “I fill I exist based only on what my environment tells me. … What if a computer brain can generate a ghost and harbor a soul? On what basis then do I beget in myself? ” In other words, what if there is no higher power to connect to, bringing into mind the word “religion,” which means “to reconnect to.”
The action sequences aren’t indecent, ultraviolent, or gratuitous in the amble sequences, but are moderate, that is until the heavy artillery is brought out, at which point glass, metal, and rock starts to sail. A very intellectual, thought-provoking, one-of-a-kind existential, soul-searching anime, with Kusanagi despite its cyborg dominance showing some human traits.
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