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After slowly getting over the news of Heath Ledger’s death, I wanted to gawk him again in one of his movies. Although I like Brokeback Mountain, I consume this one.
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It’s the legend of the Z-Boys, four teenage surfer friends who in the mid seventies bewitch up skate boarding and thus change the world of sports forever.
Heath is “Far Out!” Skip, a surfer and surf store owner who is the first to watch the kids’ talents. He pushes them (calling him a manager would be a shrimp too distinguished), and makes them grow into what they are to become.
More or less drunk for most of the time and always initiate for yet another trick to fling off a cramped cash for himself on the side, he cannot beget them once the success and fame hits.
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Big managers’ promises of quick cars, the prettiest girls and cash in adundance pull the boys out of his loose grip.
Their friendship starts breaking apart as ambition, jealousy, girls and greedy managers buy over.
It is only when one of them (who got left gradual) falls seriously ill, that the boys acquire succor together and rediscover what their friendship is all about.
Starring Emile Hirsch as the enigmatic and inflame driven Jay, Victor Rasuk as the ambitious Tony Alva and John Robinson as Stacy Peralta (who also wrote the screenplay) .
Great camerawork, both on and off the skates, terrific acting, solid directing and incredible production and status develop.
The film and the actors do a broad job in transmitting the fun and thrill of skating.
My current scene is Tyson, The Wonder Dog, the fun loving skating bulldog who simply can’t bag enough of the sport(also as an extended scene in the special features - he was not trained to do this but took up skating by himself!) .
The dvd’s represent quality is satisfactory, even in the dusky and during the rides.
The extended slash has four minutes more. The only reason these were carve were probably the expend of too many four letter words, but I wouldn’t want to miss them.
Great movie with a incredible shadowy and comic Heath Ledger.
Dogtown and Z-Boys was a hugely successful documentary chronicling a group of wild skateboarders in Venice Beach, California in 1970s. Naturally, Hollywood got enthusiastic and wanted to invent a fictional version (because hey, no one watches docs, suitable? ) with Fred Dirst (of Limp Bizkit fame) directing and David Fincher producing. Fortunately, someone came to their senses and Dirst was out with Fincher taking over but the budget for his vision was too sizable. So, the studio opted for a indecent budget win with independent film darling Catherine Hardwicke, unique from the success of Thirteen, taking over as director. In an wretchedness to maintain it accurate, Stacy Peralta, who made the Z-Boys doc, wrote the screenplay for Lords of Dogtown and worked closely with Hardwicke in order to remain moral to what he and his friends went through all those years ago.
Thankfully, the film’s producers didn’t raid the WB cabinet for the young cast. Instead, they got Hirsch (from The Girl Next Door), Victor Rasuk (from indie fave Raising Victor Vargas) and John Robinson (from Gus Van Sant’s Elephant) who have some proper acting chops but not a high enough profile so as to distract. They go into their roles as does, surprisingly, high profile actor, Heath Ledger. He does an top-notch job of becoming his character, one of the Zephyr skate shop owners who is a burnt out drunk but has vision and tries to protect his team of young skaters.
The trailers for this movie totally misrepresented it as an over-processed, heavily-edited part of lunchmeat. Instead, Lords of Dogtown perfectly evokes the times it depicts with unerring authenticity. It portrays skaters as they were assist then - stylish and below the radar, unbiased before the sport took off to the wildly favorite institution that it is now.
Lords of Dogtown shows how fame eventually broke up the Z-Boys. It was inevitable. These kids came from nothing and were suddenly thrust into the spotlight and thrown all kinds of money at them. Alva and Peralta became hugely celebrated and went corporate, constantly competing with each other while Adams stayed apt to his roots and walked away from it all because he was in it for the worship of skating and the thrill of the budge. This film will bring benefit a lot of memories for people who grew up and skated during these years, making this movie more than unbiased a simple retread of the Z-Boys documentary.
There is an audio commentary by director Catherine Hardwicke and actors John Robinson, Victor Rasuk and Emile Hirsch. The actors dish all kinds of splendid anecdotes about filming in this entertaining and informative track.
Also included is an additional commentary with novel Z-Boys Stacy Peralta and Tony Alva. The movie is clearly a mosey down memory lane for these guys as they fragment all sorts of memories and stories from that time in their lives. This is a laid-back, involving track by guys who were actually there attend in the day.
“The Making of Lords of Dogtown” is a 30 little gawk at how this film came together. Best of all, we earn to inspect footage of the three lead actors learning how to surf and skate. They spent over two months training before filming any scenes.
“Dogtown Cameos” showcases all the steady people from assist in the day that Hardwicke snuck into the backgrounds of scenes or even gave speaking parts. This featurette identifies where they are in the movie, who they are and then lets them talk about their experiences serve then and now.
There are nine deleted and extended scenes totaling 19 minutes. This includes more footage of the Zephyr shop and additional bits of Sid and Stacy’s home lives.
Also included are seven featurettes that provide additional insights into the filmmaking process, including many of the scrapes and spills the cast and their stunt doubles endured. There is more salubrious skating footage that was gash out and make-up tests for the cast and their stunt doubles.
“Gag Reel” features standard footage of the cast goofing around on situation.
There are “Storyboard Comparisons” for three scenes from the movie. They prick wait on and forth from the drawings to the finished product so you can peek how end they resemble each other.
Finally, there is a music video for “Nervous Breakdown” by Rise Against that features the band playing with clips from the movie included.
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